quizvast.blogg.se - Guitar center launchcontrol xl

#GUITAR CENTER LAUNCHCONTROL XL PROFESSIONAL#

They spend some of their 24-hour alerts seated in front of steel Minuteman III missile launch control panels mounted on shock-absorbers, with toggle switches capable of hurling ten to fifty nuclear warheads - each with twenty times the explosive force of the Hiroshima bomb - to the other side of the globe, at speeds of 15,000 mph.īut their day-to-day enemy, for decades, has not so much been another superpower, but the unremitting boredom of an isolated posting that demands extreme vigilance, while also requiring virtually no activity, according to accounts by missileers and a new internal review of their work. That understandable boredom, when paired with the military’s sky-high expectations for their workplace performance, has pushed some of them to use drugs, others to break the rules - even deliberately, and still more to look for any way out. The millennials who populate this force can watch television, read, study, or sleep in their cramped, often damp quarters. Robert Vercher, the commander of a missile wing in Minot, North Dakota, told the Air Force’s news service in February that “there is no other Air Force unit, other than our sister ICBM wings, where we put this much responsibility on very junior Airmen.” Referring implicitly to the officers’ ability to wreak almost unimaginable destruction on foreign populations, Col.īut their checklist routines are typically unvarying, their moment-to-moment responsibilities are few, and the temperature underground - like the policy requiring their presence - is unnervingly stuck in the mid-60’s. Their official job criteria require that they have “a positive attitude toward nuclear weapons duty.” Those who don’t feel up to detonating such warheads are generally referred either to chaplains, legal counsels, or “mental health clinicians,” the Air Force says, to try and set them straight.

Moreover, until recently, the Air Force’s policy dogma for the force - dating at least from a 2007 episode in which the service for a day lost track of six nuclear warheads fitted atop cruise missiles - is that mistakes cannot be made.

#GUITAR CENTER LAUNCHCONTROL XL PROFESSIONAL#

LAUNCHCONTROL GUITAR CENTER PROFESSIONAL.

However, I'm not sure of the best way to do this in logic, or if it would actually work. One solution that should work would be to record in stereo, create the comp from the stereo take folder, and then split the flattened/merged stereo track into two mono tracks for production. How does everyone else do it? Just set your two mics and record in stereo, limiting yourself to producing one combined stereo track? What if you want to EQ the two mics differently? What if you want to change the volume of one of the tracks, so that one mic is more prominent? Do you balance it towards the mic you want, and then use the direction mixer to bring it back to center? B/C that seems like an imprecise pain in the A$$. I'm grasping here, but is there any way to edit two take folders at once? Or combine two take folders into one? However, then I give up the freedom and capabilities of having two mono tracks. The obvious solution would be to record these into a single stereo track and have just one take folder to edit. Trying to edit 2 take folders into two identical comps so that the two tracks match up is very difficult and annoying. With 2 mono tracks, this creates 2 take folders. However, I also enjoy recording several different takes into a take folder. I enjoy the freedom of having two mono tracks here, because these tracks have very difference qualities, and I can change the volume, EQ, effects, pan, etc.

One track is the guitar's built-in preamp, and the other is a condensor mic. I currently record my acoustic guitar into two mono tracks at the same time.